I am concerned with collective fiction and the tenuous ways we rationalize our own identities and orientations. A weaver in many sensibilities, my practice prioritizes material transmutation both on and off the loom, often leveraging the ‘conditional’ properties of a material when met with a catalytic force like water, gravity, or magnetism. I view both the potential energy housed in these interactions and the residues they leave behind as where my work lives; in weaving terms I would call this space the ‘fell line.’ With deeply-rooted archival research drawing upon such varied interests as Major League Baseball, dowsing and divination rituals, and Japanese-American incarceration during WWII, the question driving my practice at the moment is: does it matter if something is ‘true,’ if its result is real?